words ‘n stuff

I’m slowly working my way through the final stages of preparing Queen of the May for publication. At the moment, I’m thinking about the new Kickstarter project whilst my beta readers get back to me with typos and other bits of final polish for the manuscript. I have to say that I’m very excited about getting this finished and published, not least because I think it’s the best thing I’ve written, and far better than Argleton!

I am trying to avoid falling into my usual trap of leaving the pitch video planning to the last minute. It’s a bad habit, but it’s an easy one to fall prey to as the pitch video is the one bit of the crowdfunding process that I loathe. I’m not a filmmaker, if I was, I wouldn’t be writing books. So to make my life a little bit easier, I thought it was worth asking you what sort of thing you want to see in a pitch video. What works for you? What information would help you make up your mind? Or don’t you care either way? (I know I rarely watch pitch videos, but maybe that’s just me.)

Anyway, here’s a short list of stuff to pick. Feel free to discuss in the comments and add your own ideas. (If the embed below doesn’t work, try this link instead.)

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New short story: The Lacemaker

by Suw on April 9, 2013

The LacemakerRight at the end of last year, I wrote the first draft of a short story, The Lacemaker. It’s had a good ol’ polish and now it’s an ebook – in mobi, epub and pdf format. I’ve put it up on Ganxy, where you can buy it for $1.49 or, if you fancy getting it for free, you can join my mailing list and you’ll get a special link in the welcome email that will give you a 100% discount.

Here’s a taster:

All the threads looked the same to the innocent eye, but Maude could see the black heart running up through one strand as it wove its way through the lace roundel. 

“How on earth do you manage it?” the woman asked, as she looked at the mats on the craft fair stall. Maude chose to treat the question as a rhetorical one and busied herself with tidying her bobbins as the woman browsed.

“I’ll take this one,” the woman said, holding up a square piece, twelve inches across. Maude winced, picked up the piece she had just completed and held it out to the woman for her consideration.

I hope you’ll like it, and if you do, please tell your friends!

The Lacemaker, Queen of the May, & Tag

by Suw on January 20, 2013

Towards the end of last year I had an idea for a short story. I scribbled it down in my notebook – see my blog post on Forbes for how I’m trying to get the best out of my notebook – and promised myself that I’d get it finished by the end of the holidays. I spent quite a lot of falling-asleep-time planning it out and coming up with a half-decent ending, notes about which I was careful to make as soon as I had had the ideas, but I didn’t get a chance to write it until the year’s end.

Tentatively called The Lacemaker, it’s the first actually short short story I think I’ve ever written, coming in at around 1,500 words. Usually my ‘short’ stories turn into novellas before I know what’s happened to them, but this one behaved. Well, mostly. 

I had also promised myself that I’d finish the second draft, aka total rewrite, of The Queen of the May before the end of the year. It’s been a bit of a slog, in part because I’ve just not had the time to set aside to do what needed to be done. Freelancing and running what is essentially a non-profit and trying to start a writing career can turn into a bit of a clusterfuck if you’re not careful. 

However, I dutifully found the time in the dying days of the year to sit and finish the rewrite, rounding it off mid-afternoon on 31 December. It has come in at a bit over 32,000 words and I have to say I’m moderately pleased with it. I immediately sent it off to John Rickards, a friend who helped me get over a major hump a few months ago when I hit a brick wall with the whole rewriting process. John read the first 8,000 words, gave me some great feedback and helped me see how to finish it off. 

A proper published author himself under the name Sean Cregan, John has begun providing editorial services. I commissioned a detailed critique and am now in possession of an excellent set of notes that will help me with my next draft. John is great, by the way, and I can’t recommend his services highly enough. 

I haven’t had much time to act on John’s notes, as January has been pretty much solid with work. (Yay!) However, I’m hoping to find the time next week, whilst travelling and without internet, to sit down and start the next draft. 

Finally, I have also started analysing the script that I wrote years back, Tag, ready for novelisation. I billed it back then as ‘Buffy meets Highlander in Reading’, and that pretty much still fits the bill. But although the core is solid, there are a lot of things that need rethinking, adding or developing before it can be written as a novel. That’s a fairly slow process at the best of times, but it’s coming along nicely. 

Overall it’s been a pretty good start to the year. I hope to have The Lacemaker rewritten by early February and once it’s been through a few beta readers, I’ll post it here. I hesitate to put an ETA on The Queen of the May, which still has to go through the next rewrite, beta readers and copyeditors before it’s even vaguely ready. Hopefully it won’t take me as long to do all that as it did to do the second draft!  

Starting as I mean to go on

by Suw on January 2, 2013

Over the Christmas break, I had a couple of quiet days where I could pretend I was a full-time author. Having plotted out the new end of The Queen of the May early in December, and having promised myself that I would finish the second draft before the end of 2012, I spent 31st December writing like crazy. I finished the second draft well within time and it’s now time to get editorial feedback from my trusted readers.

I also managed to draft a short story that I drafted late last year too, provisionally called The Lacemaker. That’s going to sit for a bit and then needs a polish before I publish it here. Historically, I’ve always had a bit of a problem with short stories: they tend not to stay short. This one, however, is a bit over 1,500 words, which is by itself a small miracle. 

Finally, I’ve now sorted out my own webshop to sell Argleton directly to those of you who’d like to buy it directly. You can still download it for free, of course, but if you wanted to contribute a wee bit to the Charman-Anderson coffers, then you can get the mobi, epub and pdf for just 99p. If you’d like to buy the bundle, just click the “Buy Now” link in the sidebar. 

This year, my plans are to: 

  • Finish and publish The Queen of the May
  • Finish and publish The Lacemaker
  • Analyse, tweak and novelise my script, Tag
  • Redraft The Books of Hay
  • Try to think of more short stories to write (not my forte but I’ll give it a shot)
  • Make more books!

Remember, if you want to stay up-to-date with all I’m up to, join my roughly-monthly mailing list

What makes a book ‘Young Adult’?

by Suw on June 15, 2012

I ask this question, what makes a book ‘Young Adult’?, not because I have an answer and want to ponder it at length for your edification, but because I am not sure I actually know.

Out of the 14,000+ people who have either downloaded or bought Argleton, three have said that they think it’s really a Young Adult book and that I should reclassify it on Amazon as such. One person, John, left a kind comment on my previous post to that effect. Another person left a much less kind 1-star review on Amazon, saying that they were disappointed because the book “must be aimed at young teenagers or at those not reading much”. The third person is a friend who said that in her opinion it was YA.

I’ve read some YA as an adult. Susan Cooper’s Dark is Rising series remains one of my favourite of all time, but I read that first when I was in my early 20s, not when I was a young adult (which I presume means ‘teen’, or thereabouts? See, I don’t even know that!). As a very young teen, I read Nancy Drew and the Hardy Boys, but then progressed straight on to my Dad’s science fiction and fantasy collection: Heinlein, EE Doc Smith, van Vogt, McCaffrey, Asimov, and their peers.

So I genuinely feel I have a very limited experience of YA. I’ve never paid any attention to what sort of things make a book YA, rather than just A. I didn’t go into Argleton thinking that I was writing a YA book, so didn’t look into the styles and tropes of that genre, and I still don’t think of Argleton as YA now. But maybe I’m wrong? Maybe it is?

To me, a YA book has these characteristics:

  • The main protagonist(s) are young adult
  • Themes relevant to and appropriate for young adults
  • Violence or sex, if any, is mild
  • Swearing, if any, is limited to appropriate levels

In the past, I would have said that YA books are short, which I am sure is the case for quite a few, but JK Rowling has blown that assumption out of the water and proven that kids and teens will happily read long books. In fact, some of hers are bricks.

For me, the first two points are the most important, and they are why my first reaction is to say that Argleton isn’t YA. Argleton’s protagonists are in their mid-20s, and both of them are doing PhDs. Ancillary characters are middle-aged or older. There are no teenaged character or young adults in the book at all.

The theme of the book is universal – it’s mostly about the ramifications of incautious curiosity, but it also takes on the general theme of Ada Lovelace Day in highlighting the abilities of women to be excellent computer scientists (and, conversely, to point out that men are not necessarily computer experts). Plus there is, of course, the romantic subplot addressing the idea that sometimes the person you love is right under your nose. Whilst these aren’t alienating to a YA reader, they aren’t specifically YA either.

As regards the lack of violence, sex and swearing, and the fact that it’s a novella not a novel, I find the idea that those points alone takes it out of the adult realm and plonks it in YA a depressing thought. If that’s the reason people think it’s YA, that then means they think that adult books, in opposition, must have violence, sex and swearing, and cannot be novellas. That’s a miserable idea.

Despite all that, my lack of experience with YA means that I could be totally wrong. Argleton might be better classified as YA. Authors aren’t necessarily best placed to classify their own books, so I am throwing the floor open to you: What makes a book YA? What makes a book not YA? And what is Argleton?

UPDATE: I tweeted my question, and here’s a collection of some of the responses:


A nerdy post about book sale numbers

by Suw on June 7, 2012

If you’ve been reading here a while, you’ll know that I have an unhealthy fascination with numbers, particularly the sales and download numbers for Argleton. Talking about  download/sales numbers on Twitter today, I realised that there are various different ways you can finagle numbers and wondered what the results might tell us. So I had a bit of a noodle to see what would come out. Comments welcome! 

Sales:Free Download Ratio

My overall sales:free download ratio for the last ten months is 1:21, so for every 21 books downloaded for free, one copy is sold. But that includes early months with poor sales. If I look at October last year, when free downloads were high and sales low, it’s 1:449, whereas last month free downloads were down and sales were up, and the ratio was 1:5. The average for this year so far is 1:10, but for three of the first five months it was 1:12. 

Now, in a way, this is a false comparison, because the free downloads are from here and the sales are from Amazon, so those are very different channels and potentially very different audiences. But does this tell us anything? Well, I think that over time it will tell me whether download numbers and sales are related, ie does more downloads mean more or less sales? Right now, numbers are all over the place so it looks as if the two aren’t strongly related.  

Mean Sales Velocity

‘Sales Velocity’ is basically your sales per month (the analogy here is ‘meters per second’ of course). I started off calculating the Mean Sales Velocity by summing the sales totals for each month and dividing it by the number of months elapsed this year so far.

That gave a bit of a messy set of numbers, so instead I did a six month rolling mean which gave me a much more sensible progression, increasing each month. 

Why take the mean of your sales per month? Well, it just evens out the bumps in your monthly figures and gives a slightly better impression for how you’re doing overall. It would be easy to get fixated on a particularly good month, or a particularly bad one, but the Mean Sales Velocity will give you a steady view of how sales are trending. 

Sales Acceleration

If we have a velocity, we can also have an acceleration, which is the rate of change of velocity over time. So Sales Acceleration is the change in Sales Velocity  divided by the change in time. Given that I’m doing everything in months, my month-on-month Sales Acceleration is essentially the same as the simple change in Sales Velocity (sales per month). 

My Sales Acceleration is, as you might expect, up and down like a mad thing, reflecting wide month-on-month variation in sales. At the moment, this isn’t really a helpful metric.

Percentage Sales Acceleration

Is there a way to make Sales Acceleration a bit more meaningful? The absolute figure is interesting, but if we had a percentage increase, that might tell us a more useful story, enabling us to compare months more easily. Again, you don’t want to get distracted by big peaks or troughs, you want to look at the variation with more of an even hand.

Sadly, this year’s figures fluctuate wildly, so my Percentage Sales Acceleration varies from -55 to 50. With a bit more time and data, I’d be looking for a positive number that was increasing in size.  

And? 

Well, I do love fiddling round with my spreadsheets, so this has all been a fun diversion, but does it really tell me anything useful? Within limits, I think yes. It gives me a clearer idea of trends, and helps prevent distraction by anomalously high or low months. It also gives me an idea of the magnitude of my trends. I can answer questions like, Are sales growing? Are they growing fast or slowly? Or fluctuating? Are there any particularly steep increase in sales or is it just plodding along? 

Once you answer questions like that, you can start to look for links with, say, promotional activities to see if they are having an impact or not. For example, my promotion of the Queen of the May Kickstarter project had a positive effect on Argleton sales, bumping sales by 46%. And my recent inclusion in the Amazon “Customers also bought” recommendations has caused another bump of 50%. 

It’s very hard to directly relate things like promotional activities to sales because of Amazon’s lack of referrals data, but we can infer effects based on sales data, even if it isn’t as granular as I’d like. It would be interesting to see daily figures, but oh well. 

In conclusion, I’ll likely keep doing the maths, especially now I have my spreadsheet set up to do it automatically. 

Slowly, slowly, catchy monkey

by Suw on May 17, 2012

It’s been a while since I last blogged, so I thought I’d just update you on what’s been going on. The first thing is that after I realised that the Queen of the May Kickstarter project wasn’t going to work out, I did a bit of thinking about what it was I was trying to achieve. I realised – and this is something that I probably should have thought about earlier – that what I really need to do is just fishing up the two novellas I’ve got in progress and get them out there.

So that’s my plan, and what a simple, elegant plan it is too! I am being very strict and spending time every day working on Queen of the May, primarily on preparing for what is going to be a significant rewrite. I will produce a handful of hand-bound books once it is finished, so you will be able to get your hands on a physical copy. 

I also realised that actually a big motivator for doing the Kickstarter project when I did it was, not to put too fine a point on it, money. As a freelance, it can be a bit scary when the work diary is a little sparse and after a big client was afflicted by budget cuts, I felt possibly a bit more pressure to ramp up the crowdfunding. Ach, well, live and learn, no harm no foul, and other platitudes. 

My blogging over on Forbes is taking up quite a lot of the headspace that I would have used on blogging here. That’s not necessarily a bad thing – the Forbes blog is proving to be quite good for profile-raising, which is what I need right now. I’m also getting quite a bit of contact from crowdfunding platforms and seeing research and information that I otherwise wouldn’t. Very useful! 

Finally, I just got diagnosed with a not inconsequential ovarian cyst which is currently some 8cm across. So I’m permanently a little bit achy, a little bit tired, and a little bit needing a pee. It’ll be a while before I get a judgement on whether they’re going to remove it or do something else – given my poor bladder is currently squished up into a boomerang shape, I really hope they chop it out. I’m not massively worried about it, as ovarian cysts are common and treatment is pretty routine, but I will be happy to have it gone. 

So, despite the quietude here, things are proceeding apace and hopefully I’ll have more concrete news on the ETA for Queen of the May once I’ve got my teeth properly into the rewrite. Patience, as they say, is its own reward.

Until the end of the 19th Century, the faerie and human realms overlapped quite considerably. The soft places, where the skilled can walk two paths at once, were once common. Clearings in the woods, hilltop earthworks, faerie rings and even the bottoms of gardens hid gateways to the Summer Lands through which faeries came and went quite freely. Such effortless access meant that human children could be easily replaced with faerie changelings and human adults lured or tricked into crossing the border into Faerie, mostly never to return. (Those who did came back… changed. Just look at Byron.)

But in 1867, Lucien B. Smith of Kent, Ohio in America was granted a patent on his invention of barbed wire and, in helping farmers around the world parcel up their land, so Smith cut the faeries off from the human world. As the barbed wire went up across the country, the faeries found their way blocked. The glades where they would slip from world to world were now surrounded by strands of galvanised steel that formed a barrier as impenetrable as a curtain of fire. As every child knows, faeries cannot abide the touch of iron and what is steel but iron with bits in?

The invention of the barbed wire fence did more to divide humans from faeries than any other single invention in history. And because we barely knew the faeries were there, they fell into myth and legend, their visits to our world put down as hoaxes or the tales of the over-imaginative, stories told to children to make them behave.

And over the last century or so, of course, us humans have become less and less likely to go a-wandering, less likely to stumble into those few remaining soft places and there lose our way. We might go walking up that hill, but never cross the barbed wire fence that keeps us out of the ancient tree-ringed circle at the top. We might wander through the woods but never leave the path to sit and daydream in that sun-dappled dell.

There are a few places where the Summer Lands still intrude upon our world. Little enclaves of the faeries’ world overlain on our own, where the link betwixt is strong enough to survive the encroachment of modern living. Places where the faeries are bounded on our side by iron, but where the the path to their lands can still be walked by those who know how.

We must be careful in these soft places. The faeries are quite capable of walking amongst us entirely unseen. A simple glamour can make us think that they are human or, indeed, that they aren’t there at all. And in the crush of city life, do we pay attention to the tall, beautiful lady in the park, sitting on the oak bench and watching our comings and goings? And when she offers us a buttercup, we should stay the hand that wants so much to betray us by automatically accepting. With faeries, a gift is never just a gift.

Support Queen of the May, a story about faeries, botany and the scientific method, on Kickstarter now!

At last, Queen of the May is up on Kickstarter and ready your support! We have 31 days to raise $10,000, and already have $1071 pledged. Even if you choose the lowest support level, which is $3, please do consider taking part as every little helps!

You can also help immensely by telling your friends about it. No matter how focused your own personal network, every mention of the project helps. Here are a few things you can do:

Use your social networks
Send a Tweet, update your Facebook, MySpace and LinkedIn statuses, or leave a message on any other social network you use. Kickstarter provide a Tweet button that allows you to log in to Twitter and send a pre-written Tweet which says:

Queen of the May by Suw Charman-Anderson — Kickstarter http://kck.st/zv4p1f via @kickstarter

If you think that’s a bit boring, you can always try:

I’m supporting @Suw’s Queen of the May on @kickstarter and you should too! http://kck.st/zv4p1f (please RT!)

Or, of course, you can write whatever you like, just remember the URL: http://kck.st/zv4p1f

Kickstarter also has a Facebook Like button, which you can use to post to your Facebook timeline, but again, an original, personalised message will be more interesting to your friends. 

Write a blog post
If you want to write a blog post about the project, you can quote any of the stuff that I’ve written on the Kickstarter page or here to be part of your post. You can also embed the video if you like. The code is:

<iframe frameborder=”0″ height=”360px” src=”http://www.kickstarter.com/projects/suw/queen-of-the-may/widget/video.html” width=”480px”></iframe>

If you want to ask me specific questions or do an interview, please feel free to email me.

Tell your friends
If you have friends that you think might enjoy Queen of the May, why not just send them a quick email to tell them about it? Equally, if you’re on any mailing lists, forums etc. and feel like they might like to know about it, please do let them know. 

Share the link
If you’re a member of social sharing sites like Delicious, Pinterest, Metafilter, StumbleUpon etc. please do share a link to the Kickstarter project page. The biggest challenge for any crowdfunded project is to reach enough people and social sharing sites can be important sources of new supporters.

Every little really does help
It’s tempting to think that you have to famous to have an effect, but that’s not true and there’s evidence to prove it! Buzzfeed’s Jack Krawczyk and StumbleUpon’s Jon Steinberg recently collaborated on a project to analyse how links were shared across their networks. They said:

Our data show that online sharing, even at viral scale, takes place through many small groups, not via the single status post or tweet of a few influencers. While influential people may be able to reach a wide audience, their impact is short-lived. Content goes viral when it spreads beyond a particular sphere of influence and spreads across the social web via ordinarily people sharing with their friends.

[...] Even the largest stories on Facebook are the product of lots of intimate sharing — not one person sharing and hundreds of thousands of people clicking.

In short, lots of people sharing the link with just a few good friends is at the heart of what makes a project like this succeed, however counter-intuitive that might seem. I’ll write more about this in due course.

In the meantime, if you like the look of Queen of the May, do keep an eye out for updates from me on Twitter, as well as here on the blog and on Kickstarter. And here, for your delectation is the pitch video. Enjoy!

 

 

This is Part 4 in my series of blog posts looking at the lessons I learnt doing a Kickstarter project. See also Part 1: Don’t Go Off Half-CockedPart 2: Rewards, Part 3: Budgeting.

Whilst there is, for me at least, some pleasure to be derived from working out reward levels and toying with Excel spreadsheets in working out my budget, the idea of promoting my own project makes my blood run cold. I never have been one of the world’s natural bigmouths, and in all honesty, I dread the promotional work i’m going to have to do for Queen of the May.

I would love it if the world automatically rewarded hard work and quality, but it doesn’t. You have to get out there and tell the world that you’ve done something worth looking at. Here are few thoughts about promoting your Kickstarter project.

1. You have to do your own promo
Much as it would be lovely to just put stuff up on Kickstarter and let the community organically find you, that is just not how it works. There are lots and lots of projects on Kickstarter and, whilst a few people might trawl through the site looking for interesting stuff to back, you can’t assume that will result in enough people to fund your project.

You have to have a plan to promote your project and be willing to go outside of the Kickstarter community to do so. If you simply put up a project and cross your fingers, you will almost certainly fail.

2. Build your community before you crowdfund
By the time you’re ready to launch your project, it’s too late to build a fanbase around your work. You have to start collecting fans early. Whatever tools you favour, start now, because it takes a long time to build up a following and when your project starts you simply don’t have that time spare. Even social tools like Twitter and Facebook, often erroneously billed as a silver bullet, are not instantaneous and it takes time to connect with those people who are interested in your work.

3. You need a big, big fanbase
A rule of thumb for direct marketing is that between 0.1% and 1% of people that you contact will be interested in what you’re selling them. My mum teaches exercise and no matter what advertising or marketing we try to increase her class sizes, it comes in at around 1%. That means you should aim to reach about 100 or even 1000 times the number of people you need to fund your project.

So, if I think I need 200 people to fund Queen of the May, I need to reach between 20,000 and 200,000 people to find enough who are actually interested in what I’m proposing. That’s a lot of people.

4. Run an opt-In newsletter
One way to reduce the number of people you need to reach is to run an opt-in newsletter that people choose to receive. The idea is that if people are already interested in you and your work, then they’ll be more likely to act when you tell them about your new project. Giving them the ability to get regular news from you is a good way to keep in touch, but don’t expect everyone on your mailing list to read your emails. It’s common for even opt-in lists to have an open rate of less than 20% so if you have 100 people on your list, only 20 will actually read your emails. But, and it’s a big but, those people will be more likely to back your project than random Joes off the street.

5. Engage with social media
The amazing thing about Twitter is not that it’s an easy way to talk to people but that it’s a network of networks. If I send a tweet, someone in my network can send it on to their network, and someone in their network can send it even further. We’re out of the hub-and-spoke model of a newsletter and into the network-of-networks model of social media. That can really help news of your project spread outside of your immediate circle of friends and into the wider community.

Of course, you have to invest time in social media, whether that’s Twitter, Facebook, LinkedIn or something else, prior to launch. It does take a long time to build up a Twitter following, for example, so get going, get following and be talkative. I’m not going to write a full-on guide to social media in this post, but just remember to give more than you take.

6. Assess your channels
Do you know how many people you can reach, roughly speaking, through each of your promo channels? How many people follow you on Twitter, Facebook, LinkedIn, Google Plus? Do you know what level of overlap there is? Spend some time working out how many people you can reach directly, and then ask if it’s enough. If you only have a small network, that might have an impact on what makes a sensible crowdfunding target.

7. Time your announcements
Research has shown that there are four key times in the day when people are most active in email: on arrival at work, just before lunch, just after lunch, and just before they go home. Sending an email at one of these times increases the chances it will be opened and read. Equally, sending a Tweet in the UK morning will mean that Americans don’t see it as they will be asleep at the time.

So think about when you’re sending out emails and Tweets and Facebook updates, and try to make sure that you send at a time when your message is most likely to be received. If you have a blog, pay attention to what time people visit by installing a traffic monitoring package like Statcounter or Google Analytics. My blog seems to peak each day around lunchtime, so that’s a good time to post something new.

8. Co-ordinate across your channels
If you have several places you can promote your project, make sure that you think about how they work together.  If you’re writing blog posts about your project, make sure you post them on Twitter and Facebook, for example. Don’t just link to your crowdfunding page, but to discussion about it.

9. Don’t overdo it
I probably underdo it, but really, seriously, don’t overdo the self-promotion. Nothing puts people off a project more than someone who does nothing else but whitter on about it all the time.

10. Make it easy for people to help
When I’ve been promoting Ada Lovelace Day in the past, I’ve noticed that people really do like it when you give them a pre-written tweet to copy and paste, or write an email that they can forward. People are generally willing to help you get the word out, but the easier you can make it for them the more likely they are to take action.

11. Ask friends, but don’t impose
It’s well worth tapping friends up for help, especially if they have bigger networks than you. But if you do, make sure that you don’t impose on them. Give them a heads-up on what you’re doing and the opportunity to help if they want to, but don’t put them in a position where they feel obliged – it might backfire.

Self-promotion for most people is really hard. It’s well worth thinking ahead about how you’re going to promote stuff in a way that you’re comfortable with, and how you can co-ordinate it to make the most of every bit of activity. Whatever you decide, you can’t escape the fact that a good promotion plan could make or break your project.

Lessons from Kickstarter Part 3: Budgeting

February 28, 2012

This is Part 3 in my series of blog posts looking at the lessons I learnt doing a Kickstarter project. See also Part 1: Don’t Go Off Half-Cocked and Part 2: Rewards. Budgeting. For many people, budgeting is the worst part of any project. The tedium of researching suppliers, figuring out numbers, minimum runs, working out [...]

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Planning my next novelette: Queen of the May

February 3, 2012

It’s amazing how much you can achieve through creative procrastination. I finished up the first draft of my next novelette, currently titled Queen of the May although that might change. The transcription from my handwriting wasn’t too bad, but it has resulted in a lot of errors because my writing has a tendency to get [...]

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The best advice for writers, bar none

January 21, 2012

Nick Mamatas says it better than I ever could: Ten Bits of Advice Writers Should Stop Giving Aspiring Writers.

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The best Christmas present you can give a new author: An Amazon review

December 19, 2011

Last month there was a great blog post by Anne Allen about how important Amazon reviews are to new authors: [...] Amazon reviews, which were only mildly significant three years ago, now have a make-or-break impact on an author’s sales. When you’re buying an ebook, there’s no helpful bookstore clerk to tell you what might [...]

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Argleton: Now available in (a few) libraries

December 5, 2011

A couple of weeks ago I offered a few copies of Argleton to any libraries who wanted to claim them. I ended up with 15 libraries showing interest, so decided to simply say yes to all of them and send out 15 copies. So if you want to borrow a copy of Argleton you will [...]

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