Quite possibly the best review of The Day After Tomorrow that I have read so far. Via Kottke.
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by Suw on July 31, 2004
Quite possibly the best review of The Day After Tomorrow that I have read so far. Via Kottke.
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Matt is fascinated by the story of Argleton, the unreal town that appeared on GeoMaps but which doesn’t actually exist. When he and his friend and flatmate Charlie are standing at the exact longitude and latitude that defines Argleton, Matt sets in motion a chain of events that will take him places he didn’t know existed… and which perhaps don’t.
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Every year, on May Day, a young woman is stolen away by the faeries to become their Queen for a year. This year, though, the faeries have bitten off more than they can chew. Shakti Nayar will do whatever it takes to get her own life as a botanist back. As she struggles to work out how to get home, she uncovers Faerie’s dark secret and finds that she is not the only human who needs saving.
All the threads looked the same to the innocent eye, but Maude could see the black heart running up through one strand as it wove its way through the lace roundel. She busied herself with tidying her bobbins as a customer browsed the lace mats on her stall.
“I’ll take this one,” the woman said, holding up a square piece, twelve inches across. Maude winced, picked up the piece she had just completed and held it out to the woman for her consideration.
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You're correct, Suw. The review wins hands down.
(Personally, I was very disappointed that no one had to resort to cannabilism to survive.)
At that same time, don't forget that the US is currently ruled by a cross between the Taliban and the Flat Earth Society, which has deemed that Global Warming officially doesn't exist (lest is inconvenience their oil profits). The Day After Tomorrow is in many cases the first and only “acknowledgement” of Global Warming that Americans have encountered, they are so insulated by the tabloid, for-hire media industry here.
The movie reminded me of the “Blood Flows Red on the Highways” driving instruction films from high school, and the black lung movies shown to traumatized primary students in anti-smoking campaigns. It is frothy and sensationalistic–but in a political climate where science is supressed and replaced by ideology, if it functions to create a public awareness of Global Warning that gets past government censorship or generates a public debate, I applaud the movie.
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